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L Y R I C O P E R A O F C H I C A G O

January 28 - February 24, 2017

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17

Offstage Romances

I love opera and Lyric because of my foreign-born parents and the Saturday afternoon

broadcasts from the Metropolitan Opera with the thought-provoking and stimulating

commentaries of Milton Cross. Every Saturday when I was between the ages of six

and eleven, my parents would listen to the radio broadcasts

and “force” me to join them. Only after signoff could I go

out and play with the boys and girls on my block in the

Humboldt Park neighborhood of Chicago.

During my university years, I would occasionally

purchase seats in the upper balcony and enjoy the music and

voices that permeated the opera house. After my marriage

in 1965 to my spouse of 51 years, Myrna Hankin Mazur,

and her supporting me financially and in every other fashion

through graduate school, we religiously attended four or five

productions annually – moving from the upper to the

lower balcony.

When I began my career as a professor of urban studies,

we made certain that our budget allowed for a season

subscription in the dress-circle area. Our love for Lyric can

be summed up in the many superb performers, conductors, choruses, and

stage presentations. We eagerly look forward to the announcements of each

season’s presentations and the special productions that we take our eleven-

and nine-year-old grandchildren to see and hear. Grandparents, parents,

guardians and more pass much on to their loved ones – we are passing

our love of Lyric and its productions to our heritage.

Edward H. Mazur, Ph.D.

(Chicago)

World-Class Performances

My first opera,

Faust,

was 67 years ago at the

Bolshoi Theater in Moscow. I was ten years old

and I didn’t understand much, but it didn’t matter.

The music was fantastic! Since then I’ve loved opera.

Twenty-nine years ago my family immigrated to

Chicago. Our friend gave us tickets to

La forza del

destino

at Lyric. I was very excited! I never heard

such a wonderful performance before. Usually

there were a couple of good voices and others were

mediocre – here all the voices were good. World-

class singers appeared at Lyric. I loved the decor,

which was very simple and delicate. And I could

enjoy opera as never before. For several years I’ve

been a subscriber, and three of my grandchildren

love opera as I love it.

Anna Churin

(Oak Park)

METROPOLITAN OPERA ARCHIVES

Legendary radio announcer

Milton Cross, whose years as host

of the Met broadcasts were highly

influential in developing Edward

Mazur’s love of opera.

Artists featured in Lyric’s 1987-88 production

of

La forza del destino

so admired by Anna

Churin included, left to right, Giuseppe

Giacomini (Don Alvaro), Leo Nucci (Carlo),

and Susan Dunn (Leonora).

DAN REST