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DISCUSSIONQUESTIONS

Comparing the novel with the opera

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In adapting a novel to an opera (or a play, or a film), changes

are inevitable for both practical and artistic reasons.

What might some of those changes be? Why do you

suppose they might be necessary?

Are there any major differences in the

Bel Canto

story

between the opera and the novel? If so, what are they?

What about differences in the smaller details? How do

they affect the story, characters, and outcomes?

One notable difference between the novel and the opera is that

the opera conclusively identifies the setting as corresponding to

the actual historical events, while the novel purposely obscures

many such connections. Based on the opera synopsis:

A. What changes have been made to the story to achieve greater

historical accuracy?

B. What else could be done to further increase the accuracy?

C. What might the motivation be to make the opera more

historically accurate than the novel? (The opera’s director and

designers are taking pains to accurately reproduce many historical

details in the set, props, and costumes as well.)

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How would you expect Roxane Coss’s musical performances,

practicing, and teaching (her work with Cesar, for example) to

be portrayed musically? If you were the composer, would you

willingly use another composer’s music in your opera?

Generally in opera, the action stops at dramatically significant

or climactic points for one or more of the characters to sing

about how they feel about what’s going on. These emotional

outpourings—the expressive highpoints of the opera—usually

become its most famous tunes and musical highlights. Where

do you predict that these outpourings (arias, duets, trios,

choruses, etc.) will occur in

Bel Canto

?

Compare the opera’s ending to the ending of the novel:

A. What are the differences?

B. Are the dramatic conclusions and implications

the same or different?

C. Are there other ways the opera could have ended?

How have the events of 9/11 and subsequent acts of political

terrorism internationally made the opera and the novel more

timely and/or timeless?