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A Synopsis of the Opera

ACT III: A mountain pass

The revolutionaries are busy moving their goods through the dangerous

hillside (Sextet and chorus:

Notre métier est bon

). Carmen, now tired of

José’s jealousy, reads her fortune in the playing cards. She draws the death

card (Aria:

En vain, pour éviter

).

When the revolutionaries head down the mountain to bribe the customs

officer, José is left as a lookout. On her way up the mountain to find José,

Micaëla hears a rifle shot and takes cover. José has fired a warning shot

at Escamillo, who has come in search of Carmen (Duet:

Je suis Escamillo

).

Escamillo tells José he is in love with Carmen and they start to fight, but are

separated by the returning gang (Finale:

Holà! Holà! José!

). Remendado

then discovers Micaëla, who has come to beg José to return home to his

dying mother. Carmen urges him to leave; José is convinced she wants to

be rid of him in order to take up with Escamillo. José leaves with Micaëla,

warning Carmen that he will come back.

ACT IV: Outside the bullring

A crowd begins to gather for the bullfight and vendors sell their wares

(Chorus:

A deux cuartos!

). Suddenly, the toreros arrive and the crowd

becomes excited (March and chorus:

Les voici!

). Escamillo enters with

Carmen at his side and they exchange vows of love. Carmen declares she

has never loved another man as much as she does Escamillo.

Outside the ring, Frasquita and Mercédès pull Carmen aside and tell her to

be careful because José has been seen in the crowd. Carmen, however,

ignores their warnings and bravely remains for a final encounter. José

pleads desperately with her to come back to him (Duet:

C’est toi? C’est moi!

). As she tells him she can never love him again, the crowd is heard

cheering Escamillo’s victory in the ring. Realizing that he can never possess

Carmen, José stabs her to death and cries out, “You can arrest me—I kille

d

her. Ah, Carmen, my adored Carmen!”

Reprinted by permission of Houston Grand Opera

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Photo: Lynn Lane/Houston Grand Opera