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L Y R I C O P E R A O F C H I C A G O

16

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February 2 - 22, 2019

help match their philanthropic

vision to our programs,” says

Daniel Moss, senior director of

institutional partnerships. "Some

may be new to opera and curious to

learn, while others truly love and

understand this complex art form.

Institutions may be interested

in recognition and/or employee

engagement, but they contribute

primarily because they believe in

supporting a major Chicago arts

organization. ey also appreciate

our work in the Chicago Public Schools, and in our community, and

they want to help make this possible. ere is definitely a sense of

civic pride when corporations and foundations support major

cultural institutions. ey want to know what Lyric is doing onstage

and in the community, and how they can make a difference. We’re

thrilled to have these institutions as an important part of the

Lyric family."

It’s wonderful when Lyric

provides a donor with an opportu-

nity to have a special experience

with an artist, or a journey behind

the scenes. “It’s taking that next step

from sitting in the theater watching

the show to dipping your toe in the

water of what goes into making the

production happen,” says DelPilar.

“Frequently they’re impressed by

the complexity, the grandeur of

the art form. But also, they’re

astonished by the down-to-earth,

accessible personalities of artists like Matthew Polenzani and Ana

María Martínez. ey can see them onstage in costume and under

the lights, and there’s a magic there, but then they go backstage and

see them as real people.”

Lyric’s special events are a marvelous way to not only attract

new donors by introducing them to the spirit of the Lyric family,

but also celebrate existing donors and thank them for their support

Lang Lang with Lyric Board of Directors member Robert McCullen, wife Evelyn, and guests.

ROBERT KUSEL

“ ere is definitely a sense of civic

pride when corporations and foundations

support major cultural institutions. ey

want to know what Lyric is doing onstage,

and in the community, and how they

can make a difference.”

— Daniel Moss