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P R O F I L E S | L Y R I C O P E R A O F C H I C A G O

20

|

December 7, 2015 - January 17, 2016

JIMMY LÓPEZ

(

Composer

)

One of today’s most origi-

nal voices in contempo-

rary music, the composer

has created works per-

formed by such renowned

ensembles as the Chicago

Symphony Orchestra, Philadelphia Orchestra,

Boston Symphony Orchestra, Baltimore Sym-

phony, Saint Paul Chamber Orchestra, Atlanta

Symphony Orchestra, Fort Worth Symphony,

Radio France Philharmonic, and the National

Symphony Orchestras of Peru, Chile, and

Argentina. Further engagements include

Carnegie Hall; Germany’s Darmstadt and

Donaueschingen music festivals; the Aspen,

Tanglewood, and Grant Park music festivals;

and the 2010 Youth Olympic Games in Sin-

gapore.

Fiesta!

, one of his most famous works,

has received over 70 performances worldwide

by the major orchestras of Sydney, Gothen-

burg, Helsinki, Leipzig, The Hague, Seattle,

Colorado, and Spokane, among many others.

Among his recent works are

Perú Negro

,

Lord

of the Air

, and

Man and Man

(world premiere

in San Francisco’s Grace Cathedral, soloist

Anthony Roth Costanzo). López has received

numerous prestigious awards, most recently a

Honorable Mention at the 2015 Barlow Prize

and, in 2014, the Premio Antara Award in rec-

ognition of his outstanding career (Lima Con-

temporary Music Festival in Peru). A native of

Lima, he studied at the city’s National Conser-

vatory of Music with Enrique Iturriaga, prior

to graduating from the Sibelius Academy in

Helsinki with a master of music degree. López

completed his Ph.D. in music at the Univer-

sity of California-Berkeley. He is published by

FILARMONIKA Music Publishing.

NILO CRUZ

(

Librettist

)

The

Cuban-American

playwright’s work has

been produced widely

across the U.S., including

performances with such

distinguished companies

as Princeton’s McCarter

Theatre, New York’s Public Theater, Manhat-

tan Theatre Club, Los Angeles’s Mark Taper

Forum, Washington’s Arena Stage, Chicago’s

Victory Gardens, San Francisco’s Magic The-

atre, Minneapolis Children’s Theatre, and

Oregon Shakespeare Festival, among many

others. Internationally, Cruz’s plays have been

produced in Canada, England, France, Austra-

lia, Germany, Belarus, Costa Rica, Colombia,

Panama, Japan, Russia, and in cities through-

out Spain. A graduate of Brown University,

the writer has received numerous prestigious

awards, including the Helen Merrill and the

Laura Pels Mid-Career Playwriting Award

and the Fontanals-Cisneros USA Fellowship

in literature. In 2003 Cruz became the first

Latino to win the Pulitzer Prize for Drama,

thanks to his most celebrated work,

Anna in

the Tropics

. The play opened on Broadway to

great critical acclaim, won the 2003 Steinberg

Award for Drama, and was nominated for a

Tony Award in 2004. Further works written

by Cruz include

Two Sisters and a Piano

,

Life is

a Dream

,

Night Train to Bolina

,

A Park in Our

House

, and

Dancing on Her Knees

. As a lyricist

he has written three works with noted com-

poser Gabriela Lena Frank,

La Centinela y la

paloma

(St. Paul Chamber Orchestra),

Santos

(San Francisco Girls Chorus), and

The Journey

of the Shadow

(Berkley Chamber Orchestra).

ANN PATCHETT

(

Author

)

The bestselling author has

earned consistent critical

praise ever since her debut

novel,

The Patron Saint of

Liars

, was named a 1992

New York Times Notable

Book of the Year. Her novel

Taft

was awarded

the Janet Heidinger Kafka Prize in 1994, and

Bel Canto

(2001), which has been translated

into more than 30 languages, received the

PEN/Faulkner Award, the Orange Prize, and

the Book Sense Book of the Year prize. It was

also a finalist for the National Book Critics

Circle Award. In addition to three other novels

(

The Magician’s Assistant

,

Run

,

State of Wonder

)

and three nonfiction books, Patchett’s writing

has appeared in

The New York Times, Vogue,

The Washington Post

, and many other major

publications. She is the co-owner of Parnassus

Books in Nashville, Tennessee. The author has

been the recipient of numerous awards and

fellowships, including England’s Orange Prize,

PEN/Faulkner Award, the Harold D. Vursell

Memorial Award from the American Academy

of Arts and Letters, a Guggenheim Fellowship,

The Chicago Tribune’s Heartland Prize, The

Governor’s Award for Excellence in the Arts,

the American Bookseller’s Association’s Most

Engaging Author Award, and the Women’s

National Book Association’s Award. In 2012

Time

magazine named Patchett one of the 100

Most Influential People in the World.

RENÉE FLEMING

(

Curator

)

Previously at Lyric Opera:

Creative consultant since

2010; eight roles since

1993-94, most recently

Hanna Glawari/

The Merry

Widow

 (2015-16).

As Lyric’s creative consultant, the internation-

ally celebrated American soprano has been

involved with the development of

Bel Canto

since the work’s inception, initially propos-

ing Ann Patchett’s best-seller as the basis for

a new opera. Collaborating with Anthony

Freud and Sir Andrew Davis, Fleming under-

took extensive research over a period of many

months that resulted in Lyric awarding the

commission for this work to composer Jimmy

López. Fleming’s work with the opera’s cre-

ative team has been crucial over the four years

since 

Bel Canto

 was commissioned. She also

tapped the talents of another emerging com-

poser, Matthew Aucoin, which led to the most

recent Lyric Unlimited commission, 

Second

Nature

 (premiered in August 2015). Among

Fleming’s current projects for Lyric is

Chicago

Voices

, a multi-year, multifaceted project to

begin next summer, with pilot programs and

workshops in Chicago, culminating with a

gala in 2017. Fleming is continuing the high-

profile collaborations she has nurtured with

other Chicago-based arts institutions, includ-

ing developing an innovative performance

series, 

To the Edge,

 for the Harris Theater, to

debut in December, while also further devel-

oping Lyric’s young-professionals initiative

and serving as National Cultural Ambassador

for the Chicago Public Schools Arts Educa-

tion Plan. Advisor for Lyric’s Patrick G. and

Shirley W. Ryan Opera Center, Fleming is also

nurturing young talent in the Chicago area

through Lyric Unlimited’s Vocal Partnership

Program, in association with five local schools.

DANIELLE

DE

NIESE

(

Roxane Coss

)

Previously at Lyric Opera

:

Susanna/

The Marriage

of Figaro

 (2009-10);

Cleopatra/

Giulio

Cesare

 (2007-08).

Australian-born and raised

in America, the soprano is the youngest alumna

of the Lindemann young-artist program at the

Metropolitan Opera, where she debuted at 19 as

Mozart’s Barbarina. Subsequent Met portrayals

include Despina, Euridice, Ariel/

The Enchanted

Island

, Susanna, and de Niese’s signature role,

Handel’s Cleopatra. She debuted in Europe as