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P R O F I L E S | L Y R I C O P E R A O F C H I C A G O

December 7, 2015 - January 17, 2016

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has undertaken repeat engagements with The

Minnesota Opera (where his productions of

Donizetti’s three “Tudor Queen” operas were

originally staged), The Santa Fe Opera, Opera

Philadelphia, Houston Grand Opera, and the

Prototype Festival (NYC). He has also directed

for Carnegie Hall, the Kennedy Center, Lyric

Opera of Kansas City, Central City Opera,

L’Opéra de Montréal, the San Francisco Sym-

phony, the Glimmerglass Festival, and Opera

Theatre of Saint Louis. Highly committed to

new work, Newbury has directed dozens of

world premiere plays, musicals and operas. The

director’s production of Mercadante’s

Virginia

won the 2010 Irish Times Theatre Award for

Best Opera Production at Ireland’s Wexford

Festival Opera. His productions have been

nominated for a Grammy Award, a Drama

Desk Award, and the GLAAD Media Award.

Newbury has directed two short films:

Mon-

sura is Waiting

, which has screened at more

than 20 film festivals and won several awards,

and

Stag

, which recently won the “Best of New

York” award (NY Shorts Fest) and a Silver

Remi Award (Houston International Film

Festival).

DAVID KORINS

(

Set Designer

)

Lyric Opera debut

The Manhattan-based

designer has been involved

in numerous prestigious

productions for theater,

opera, film, television,

concerts, and festivals worldwide. Among

Korins’s extensive credits are productions at

San Francisco Opera (

Norma

, Mark Adamo’s

The Gospel of Mary Magdalene

, world premiere)

and Santa Fe Opera (world premieres of Theo-

dore Morrison’s

Oscar

and Lewis Spratlan’s

Life Is a Dream

). His designs on Broadway

include

Hamilton

,

Misery

,

Motown

,

Vanya and

Sonia and Masha and Spike

(Tony Award),

Annie

,

Bring It On!

,

An Evening with Patti

Lupone & Mandy Patinkin

,

Godspell

,

Chinglish

,

and

The Pee-Wee Herman Show

. Korins has

served as the creative director for performances

by renowned musical artists such as Mariah

Carey, Kanye West, and Sia. He recently

collaborated with Andrea Bocelli on the PBS

telecast of

Cinema

at the Dolby Theatre. In

2014, he worked with the Gagosian Gallery

on the exhibitions

Picasso and the Camera

and

Takashi Murakami: In the Land of the Dead,

Stepping on the Tail of a Rainbow

, and oversaw

the design and construction of Florian Café

on New York’s Park Avenue South in partner-

ship with restaurateur Shelly Fireman, with

whom he is currently working to design the

relocation and expansion of Bond 45 in Times

Square. Korins has received a Drama Desk

Award, three Henry Hewes Awards, and the

2009 Obie Award for Sustained Excellence

in Design.

CONSTANCE

HOFFMAN

(

Costume Designer

)

Lyric Opera debut

The designer’s current

season includes

Turandot

at Austria’s Bregenz Festival

and New York productions

of Pinter’s

Old Times

(Roundabout Theatre,

directed by Douglas Hodge) and

Pericles

(Theatre for a New Audience, directed by

Trevor Nunn). Hoffman’s career has included

collaborations with directors Mark Lamos,

Robert Carsen, David Alden, Christopher

Alden, Julie Taymor, and Keith Warner; dancer

Mikhail Baryshnikov; choreographer Eliot Feld;

and entertainer BetteMidler. Her work has been

seen on many New York stages, including the

Public Theatre, The New Victory Theatre, The

Second Stage, Madison Square Garden, Radio

City Music Hall, and The Joyce. Hoffman’s

Broadway debut, designing Julie Taymor’s

The

Green Bird

, earned her Tony Award and Outer

Critics Circle Award nominations. Operatic

designs include productions for many major

companies internationally, among them those

of Paris, Tel Aviv, Munich, San Francisco,

Santa Fe, Houston, Los Angeles, and St. Louis,

as well as the Glyndebourne and Glimmerglass

festivals. Regionally she has designed for such

prestigious theaters as the Guthrie, Hartford

Stage, Washington’s Shakespeare Theatre,

Baltimore’s Center Stage, and Houston’s

Alley Theatre. Hoffman was honored with

The Theatre Development Fund’s Irene Sharaff

Young Masters Award (2001) with invitations

to exhibit her work in the Prague Quadrennial

(2003, 2007, 2011). She currently teaches in

the Department of Design for Stage and Film

at the Tisch School of the Arts.

DUANE SCHULER

(

Lighting Designer

)

Previously at Lyric Opera:

More than 130

productions since 1977,

most recently

Tosca,

Capriccio, Don Giovanni

(all 2014-15)

.

The Wisconsin-born lighting designer’s recent

European work has encompassed productions

at La Scala (

Turandot

), Barcelona’s Gran

Teatre del Liceu (

Don Pasquale

, Massenet’s

Cendrillon

), and Covent Garden (Meyerbeer’s

Robert le diable

). He has previously designed

in Europe for many other companies,

including the major houses of Lyon, Rome,

Amsterdam, and Baden-Baden, as well as

the Salzburg Festival. Highlights this season

include

The Marriage of Figaro

(Seattle),

Der

Rosenkavalier

(Berlin), and Rossini’s

Maometto

Secondo

(Toronto). Over the past two

decades Schuler has designed 24 productions

at the Metropolitan Opera, most recently

last season’s company premiere of Rossini’s

La donna del lago

. Additional American

opera credits include many productions in

San Francisco (most recently

Werther

,

The

Makropulos Case, Otello,

and

La fanciulla del

West

), Seattle (

Don Giovanni

,

Porgy and Bess

,

Il barbiere di Siviglia

, and

Fidelio

), Santa Fe

(where he returned in 2014 for

Fidelio

and

Don Pasquale

), Los Angeles, and Houston.

Schuler’s theater work includes productions

for Broadway (most recently

The Importance of

Being Earnest

), Manhattan Theatre Club and

the Ahmanson Theatre in Los Angeles. His

designs can be seen on DVD in the Baden-

Baden production of

Lohengrin

and numerous

Met productions, among them

Don Pasquale

,

Thaïs, La rondine

, and

The First Emperor

.

Schuler is a founding partner of Schuler

Shook, a theater planning and architectural

lighting design firm (Chicago, Minneapolis,

Dallas, Melbourne).

GREG EMETAZ

(

Projection Designer

)

Lyric Opera debut

Based in New York, the

filmmaker and projection

designer has served as video

director for the 2008-11

National Endowment for

the Arts Opera Honors, the 2011 NEA Jazz

Masters, and the 2007-10 New York City

Opera VOX Showcases. Emetaz’s video designs

for the stage include numerous productions at

Opera Theatre of Saint Louis, among them

Terrence Blanchard’s

Champion

, Peter Ash’s

The Golden Ticket

(world premieres), Unsuk

Chin’s

Alice in Wonderland

(U.S. premiere),

and

The Death of Klinghoffer

, as well as

The

Blue Bear

(Alaska’s Perseverance Theatre),

Ajax

(American Repertory Theater), Wallace

Shawn’s

The Music Teacher

(New York’s

Minetta Lane Theatre), and Tobias Picker’s

Dolores Claiborne

(San Francisco Opera, world

premiere). In addition to his acclaimed work in

stage design, Emetaz is the director of the short

films

Bowes Academy

and

Death by Omelette

(SHORTSNONSTOP film festival finalist),

the feature documentary

Fay Lindsay-Jones