O P E R A N O T E S | L Y R I C O P E R A O F C H I C A G O
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February 22 - March 19, 2016
on the young romantic couple: Juliet sings about the supreme and
infinite joy of dying with her lover, Romeo.
Lyric’s 21st-century production of
Roméo et Juliette
is directed by
Bartlett Sher, the immensely distinguished theater and opera director.
Sher’s
Roméo et Juliette
features elegant, elaborate 18th-century costumes,
which underscores the contrast between the young Romeo and Juliet´s
innocence and naïveté and the rich, complex world in which they come
to maturity. The stylized movement we witness and the contrasting colors
of the costumes of the two Verona families strengthen our understanding
and awareness of the sensuality and sentiment of the lead characters and
the political tension overwhelming the two warring families. In addition,
the production’s minimalist set further helps to focus our attention
on the movements of the personages on stage. Sher’s most important
achievement in this production is that he helps us comprehend the
lovers in the broader context of the community and appreciate Gounod’s
modified ending of the Shakespeare play.
Throughout the opera, Romeo and Juliet’s poignant love story
plays out against the backdrop of intrigue and conflict consuming the
Montague and Capulet families. The drama we experience in this exciting
operatic version of the familiar story highlights the conflict between the
political, the romantic, and ultimately even the spiritual in a lavish and
sensuous production that links the themes of romance and power-driven
familial enmity and joins them with Gounod’s 19th-century sentiments
about religious and mystical love.
Susan Halpern has been writing program notes and liner notes nationally
and internationally for chamber music, symphonic concerts, operas, and vocal
recitals for the past two decades. Originally trained as a professional flutist, she
earned a B. A. in music and a doctorate in English literature and has taught
at the City College of New York, Pace University, and Marymount College.
Photos from Bartlett Sher’s
2008 Salzburg Festival production with,
clockwise from the top,
Nino Machaidze (Juliet); Rolando Villazon
(Romeo) and Juan Francisco Gatell (Tybalt);
and In Sung Sim (Lord Capulet).
ALL PHOTOS: CLÄRCHEN BAUS-MATTAR AND
MATTHIAS BAUS / SALZBURG FESTIVAL