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P R O F I L E S | L Y R I C O P E R A O F C H I C A G O

February 2 - 22, 2019

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the Bavarian State Opera as Helmwige/

Die Walküre

,

which she has reprised with the Berlin Philharmonic,

LA Opera, the Berlin State Opera, La Scala (DVD), and

the BBC Proms. Among her other successes are Isolde

(Metropolitan Opera, LA Opera, Russia’s Stars of the

White Nights Festival) Sieglinde (Festspiel Baden-

Baden), and Leonore/

Fidelio

(Opera Roanoke). Foster

has collaborated with such distinguished conductors

as Barenboim, Conlon, Gergiev, Rattle, Petrenko, and

Nagano. Among the other companies with which she

has performed are Washington National Opera, Florida

Grand Opera, Vancouver Opera, Pittsburgh Opera,

New York City Opera, and Chautauqua Opera, in

addition to appearances with the Chicago Symphony

Orchestra, Chautauqua Symphony Orchestra,

Youngstown Symphony Orchestra, and West Virginia

Symphony. She can be heard on CD in the Lyric Opera

Center recording of Hugo Weisgall’s

Six Characters in

Search of an Author.

LAUREN DECKER

(First Maid)

Previously at Lyric:

Five roles since 2016/17,

most recently Inez/

Il trovatore

(2018/19);

Enrichetta/

I puritani

Schwertleite/

Die Walküre

,

(both 2017/18).

e contralto, a third-year member of the Ryan Opera

Center, was featured last season alongside Christine

Goerke and Eric Owens in the Harris

eater’s

Beyond the Aria

series. She was a national semifinalist

in the 2018 Metropolitan Opera National Council

Auditions, having previously been a two-time recipient

of an Encouragement Award in the MONCA’s Upper

Midwest Region. e Wisconsin native holds a B.F.A.

in vocal performance from the University of Wisconsin-

Milwaukee, and has performed in opera scenes with

Milwaukee’s Kalliope Vocal Arts. She also participated

in Dolora Zajick’s Institute for Young Dramatic Voices,

the American Wagner Project (Washington, D.C.) and

the Georg Solti Accademia di Bel Canto (Italy). Decker

portrayed Sally/Samuel Barber’s

A Hand of Bridge

at the

Up North Vocal Institute (Boyne Falls, Michigan) and

has performed in concert with the Apollo Chorus/

Elmhurst Symphony (Verdi

Requiem

), Civic Orchestra

of Chicago, and the Harare International Festival of the

Arts (Zimbabwe). Winner of the 2018 Lola Fletcher

scholarship in voice from the American Opera Society

of Chicago, she returns to the Lyric stage later this

season in

La traviata

.

Lauren Decker is sponsored by an

Anonymous Donor

,

Susan M. Miller,

and

e

ierer

Family Foundation.

MARY PHILLIPS

(Second Maid)

Lyric debut

The American mezzo-

soprano has been widely

heard in Wagner, includ-

ing Brangäne/

Tristan und

Isolde

(Dallas, Winnipeg),

Erda/

Das Reingold

(Scottish

Opera), Fricka/

Das Rheingold

(Pittsburgh Festival

Opera), and in full

Ring

cycles with Canadian Opera

Company, Scottish Opera, and Seattle Opera. With

the Metropolitan Opera she has portrayed both

Rossweisse and Schwertleite/

Die Walküre

, Ježibaba/

Rusalka

, and Mrs. Alexander/Philip Glass’s

Satyagraha

(company premiere). She sings Rossweisse again this

spring with the Met. Her many successes encompass

such varied repertoire Azucena/

Il trovatore

(Seattle,

Phoenix), Eboli/

Don Carlo

(Austin, Sarasota, Toronto,

Vancouver), Herodias/

Salome

(Edmonton), Gertrude/

Hamlet

(Birmingham), Madame Larina/

Eugene Onegin

(Spoleto, USA), Eduige/

Rodelinda

(Dallas), and Sister

Helen Prejean/

Dead Man Walking

(Austin). Phillips’s

facility with contemporary works led to her New York

Philharmonic debut in Michael Torke’s

Four Seasons

and Aaron Jay Kernis’s

Garden of Light

(both world

premieres) and Jake Heggie’s song cycle

e Starry

Night

at Ravinia, Carnegie Hall’s Zankel Hall, and

the Library of Congress. Concert engagements include

Mahler’s

Symphony No. 8

(New York Philharmonic)

and

Symphony No. 2

(Los Angeles Philharmonic,

Atlanta Symphony), and performances with the Boston

Symphony, Philadelphia Orchestra, and Philharmonia

Baroque.

KRYSTY SWANN

( ird Maid)

Previously at Lyric:

Grimgerde/

Die Walküre

(2017/18); Rebecca

Parker/

Charlie Parker’s

Yardbird

(2016/17).

is season the Philadelphia-

born mezzo-soprano returned

to the Metropolitan Opera for Nico Muhly’s

Marnie

(world premiere),

Die Walküre

, and

Il tabarro

.

Highlights during the 2017/18 season included

Grimgerde/

Die Walküre

(Dallas Symphony Orchestra),

Grandma/Douglas Tappin’s

I Dream

(Opera Carolina

and Toledo Opera), and Irina/Kurt Weill’s

Lost in

the Stars

(Union Avenue Opera in St. Louis). Among

other important achievements have been Amneris/

Aida

(Bucharest National Opera); Maddalena/

Rigoletto

(Atlanta Opera); Rebecca Parker/Daniel Schnyder’s

Charlie Parker’s Yardbird

(Madison Opera); and her

Milan debut with the Laverdi Orchestra. Swann's

New York credits include Lola/

Cavalleria rusticana

(Opera Orchestra of New York), Suzuki/

Madama

Butterfly

(New York City Opera), Emilia/Weill’s

e

Firebrand of Florence

(Alice Tully Hall), the Mozart

Requiem

(Carnegie Hall), and the Verdi

Requiem

(Lincoln Center). She has also appeared with the

major orchestras of Boston, Baltimore, and Rochester.

Swann is a winner of the 2013 Marcello Giordani

International Vocal Competition in Italy and the

Intermezzo Foundation Award (Elardo International

Opera Competition), as well as a two-time winner of

the coveted Richard F. Gold Career Grant.

ALEXANDRA

L

O

BIANCO

(Fourth Maid)

Previously at Lyric:

Helmwige/

Die Walküre

(2017/18).

Recent highlights in the

American soprano’s burgeon-

ing career include acclaimed

performances in four formidable roles: Aida (Seattle

Opera, Opera Colorado), Ariadne (Austin Lyric Opera

debut), Turandot (Des Moines Metro Opera), and

Leonore/

Fidelio

(Vienna State Opera, European debut).

She debuted at Munich’s Bavarian State Opera as

Gerhilde/

Die Walküre

, and has portrayed Helmwige

in that work for a tour of Japan with the Vienna State

Opera. Other major successes include the title role/

La

fanciulla del West

(Des Moines), Amelia/

Un ballo in

maschera

(Miami), Miss Jessel/

e Turn of the Screw

(Dallas), Tosca (Grand Rapids, St. Paul), Donna Anna/

Don Giovanni

(Seattle), and Magda Sorel/

e Consul

(Santa Barbara). LoBianco has performed the complete

role of Brünnhilde with St. Louis’s Union Avenue

Opera, and joined the roster of the Metropolitan Opera

for its production of

Il trovatore

. Later this season

the soprano brings her portrayal of Tosca to North

Carolina Opera. She will also star as Senta/

e Flying

Dutchman

with Baltimore Concert Opera and will

return to the Madison Symphony Orchestra (where she

was previously heard in Rachmaninoff’s

e Bells

) for

Mahler’s

Symphony No. 8.

ANN TOOMEY

(Fifth Maid)

Previously at Lyric:

Musetta/

La bohème

(2018/19); First Lady/

e Magic Flute

(2016/17).

A Michigan native and

third-year Ryan Opera

Center member, the soprano

appeared last season at the Grant Park Music Festival

as Laetitia/Menotti’s

e Old Maid

and the ief

and

alongside tenor Lawrence Brownlee in the Harris

eater’s “Beyond the Aria” series. Toomey has also

been heard with the Civic Orchestra of Chicago.

She holds a master’s degree from the University of

Cincinnati College Conservatory of Music (Fiordiligi/

Così fan tutte

, Boonyi/Jack Perla’s new opera

Shalimar

the Clown

– studio production, soprano soloist/ Brahms’s

German Requiem

). She earned her bachelor of music

degree at Oakland University in Rochester, Michigan

(Despina/

Cosi fan tutte

, Nella/

Gianni Schicchi

, soprano

soloist/Beethoven’s

Symphony No. 9

and Haydn’s

Lord

Nelson Mass

). Toomey portrayed Gabrielle/

La rondine

at Opera eatre of Saint Louis while participating in

the 2015 Gerdine Young Artist program. She was a

2016 Metropolitan Opera National Council Auditions

national semifinalist and an award recipient in the 2015

Corbett Opera Scholarship Competition at UCC-CM.

Ann Toomey is sponsored by

e Susan and Richard P.

Kiphart Family, Richard O. Ryan,

and

Richard W.

Shepro

and Lindsay E. Roberts.

PHILIP HORST

(Orest’s Tutor)

Previously at Lyric:

Pantheus/

Les Troyens

(2016/17); Count

Capulet/

Roméo et Juliette

(2015/16); Gamekeeper/

Rusalka

(2013/14).

e American bass-baritone

returned to San Francisco Opera earlier this season

in one of his Lyric roles, the Gamekeeper/

Rusalka

.

He has previously been featured at San Francisco as

Pantheus/

Les Troyens

, Fritz Kothner/

Die Meistersinger