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P R O F I L E S | L Y R I C O P E R A O F C H I C A G O

26

|

November 19 - December 7, 2016

A second-year Ryan Opera Center member,

the Japanese baritone will perform roles

in several upcoming Lyric productions,

among them Moralès/

Carmen,

Captain/

Eugene Onegin

, and Marquis/

La traviata

(for

Celebrating Plácido

). Onishi has

received top awards from the Gerda

Lissner International Vocal Competition,

the Opera Index, Inc. Vocal Competition,

the Licia Albanese-Puccini International

Vocal Competition, and the Giulio Gari

Foundation Competition. For winning the

IFAC-Juilliard Prize Singing Competition

in Japan, he received a full scholarship

to attend The Juilliard School, where he

appeared in the title role/

Eugene Onegin

,

as Count Almaviva/

The Marriage of Figaro

,

and in

Don Giovanni

, Rossini’s

La scala

di seta

, and Sir Peter Maxwell Davies’s

Kommilitonen!

(U.S. premiere). In 2014

Onishi created the leading role of The Man/

Marty Regan’s

The Memory Stone

(world

premiere) with Houston Grand Opera’s

East+West program. Recent highlights

include two appearances at Carnegie Hall

(

Carmina Burana

, Vaughan Williams’s

Hodie

). Onishi has participated in the

Aspen Music Festival and School, Saito

Kinen Festival in Japan, and Germany’s

Internationale Meistersinger Akademie.

Takaoki Onishi is sponsored by the

Renée

Fleming Foundation

and the

International

Foundation for Arts and Culture.

EMMETT

O’HANLON

(

Second Servant

)

Lyric debut

The New York native is

a first-year Ryan Opera

Center member and

will be heard as the Second Priest/

The

Magic Flute

and Dancaïre/

Carmen

at Lyric

later this season. The baritone earned a

Master of Music degree from The Juilliard

School (Traveler/

Curlew River

, Bartley/

Riders to the Sea

), and a Bachelor of Music

degree from the University of Cincinnati

College-Conservatory of Music (Arsamene/

Xerxes

, Achilla/

Giulio Cesare

, Harašta/

The Cunning Little Vixen

). In a workshop

recently produced by the Metropolitan

Opera, O’Hanlon sang the Soldier/Scott

Wheeler’s

The Sorrows of Frederick the Great

.

His concert activities have included Bach

cantatas and Fauré’s

Requiem

, all with St.

Thomas Episcopal Church (Cincinnati).

O’Hanlon has been a prize-winner in the

Altamura/Caruso, Gerda Lissner, Opera

Index, Inc., Palm Beach Opera, and Dayton

Opera competitions. He participated in the

singer-training programs at Caramoor, La

Musica Lirica (Novafeltria, Italy), Oberlin

in Italy, and the “Juilliard in Paris” project.

O’Hanlon is a principal vocalist with

the celebrated Irish singing group Celtic

Thunder, both for concerts internationally

and on CD.

Emmett O’Hanlon is sponsored

by

Lois B. Siegel

and

Drs. Joan and Russ

Zajtchuk.

BRADLEY SMOAK

(

Bandit Chief

)

Previously at Lyric:

Eight roles since 2014-

15, most recently Ghost

of Hector/

Les Troyens

(2016-17); Waiter/

Der

Rosenkavalier

, General

Benjamín/

Bel Canto –

world premiere

(both 2015-16).

A native of North Carolina and a third-

year Ryan Opera Center member, the

bass-baritone will appear in the current

Lyric season as Zuniga/

Carmen

and Baron

Douphol/

La traviata

(for

Celebrating

Plácido

). Smoak has been heard with many

companies nationwide, with particular

success at Opera Theatre of Saint Louis

(Colline/

La bohème

, King of Hearts/

U.S. premiere of Unsuk Chin’s

Alice in

Wonderland

, Pirate King/

The Pirates of

Penzance

, Masetto/

Don Giovanni

, Antonio/

The Marriage of Figaro

, Second Soldier/

Salome)

. He has appeared in concert with

the Chicago Symphony Orchestra (

L’enfant

et les sortilèges, Pelléas et Mélisande,

Esa-

Pekka Salonen conducting) and onstage

at

Boston Lyric Opera (

Les contes d’Hoffmann

),

Palm Beach Opera (

Otello

,

Don Giovanni,

Carmen

), Sarasota Opera (

La bohème

,

The

Crucible

), Opera Omaha (

Carmen

,

The

Magic Flute

,

Fidelio

), Opera North, Opera

Charleston, Opera Roanoke, Annapolis

Opera, and DuPage Opera Theatre. Smoak

made his international debut at Ireland’s

prestigious Wexford Festival Opera in

The

Ghosts of Versailles

and Donizetti’s

Maria

Padilla

, returning for Smetana’s

The Kiss

and

Pergolesi’s

La serva padrona

.

Bradley Smoak

is sponsored by

The Elizabeth F. Cheney

Foundation

.

SIR ANDREW DAVIS

(Conductor)

Previously at Lyric:

54 operas since 1987,

most recently

Les Troyens

,

Das Rheingold

(2016-

17);

Bel Canto –

world

premiere (2015-16).

In addition to three operas at Lyric this

season, the busy schedule of Lyric’s

internationally renowned music director

also includes recordings and concerts

with the Bergen Philharmonic, as well as

his return to the Melbourne Symphony

Orchestra (where he is chief conductor) and

the major orchestras of Cleveland, Berlin,

and Liverpool. Highlights earlier this year

include performances with the MSO and

the Detroit, Frankfurt Radio, and Toronto

symphony orchestras. Maestro Davis is

former music director of Glyndebourne

Festival Opera and currently conductor

laureate of both the BBC Symphony

Orchestra and the Toronto Symphony

Orchestra. His operatic successes include

productions at such major international

companies as the Metropolitan Opera,

Covent Garden, and La Scala; the Bayreuth

and Edinburgh festivals; and the leading

houses of San Francisco, Munich, and

Santa Fe. Sir Andrew has appeared with

virtually every internationally prominent

orchestra, including the Chicago Symphony

Orchestra, the New York Philharmonic, and

the major orchestras of Berlin, Amsterdam,

Rotterdam, and London. A vast discography

documents Maestro Davis’s artistry, with