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P R O F I L E S | L Y R I C O P E R A O F C H I C A G O

28

|

February 11 - March 25, 2017

JP TENUTA

Previously at Lyric:

Seven operas since 2006,

most recently

Carousel

,

Tannhäuser

(both 2014-

15);

Parsifal

(2013-14).

In addition to Lyric, the

dancer has performed as

a soloist in the Chicago

area with The Civic Ballet, Kenneth von

Heidecke’s Chicago Festival Ballet, and the

Salt Creek Ballet. An alumnus of Northern

Illinois University, where he studied with

Randall Newsom and Judith Chitwood,

Tenuta subsequently performed for two

years with the Nashville Ballet and two years

with Luna Negra Dance Company. He is a

regular faculty member at the Academy of

Movement and Music. He has also taught on

the Dance Masters circuit and recently served

as assistant director for Momenta as it toured

for Tanzsommer International in Austria.

HARRY BICKET

(

Conductor

Feb. 11- March 6

)

Previously at Lyric:

Four

productions since 2002,

most recently

Rinaldo

(2011-12);

Hercules

(2010-11);

Orfeo ed

Euridice

(2005-06).

The internationally renowned British opera

and concert conductor's schedule this season

is highlighted by performances of two Handel

works – Handel’s

Ariodante

in Paris and

Vienna,

Alcina

in Santa Fe – as well as the

Suite from Rameau’s

Les Boréades

with the

Cleveland Orchestra. Especially noted for

his interpretation of Baroque and classical

repertoire, Bicket is artistic director of The

English Concert, widely regarded as one of

today’s most remarkable period orchestras.

In 2013 Bicket became chief conductor of

The Santa Fe Opera, where his successes over

the past three summers have included

Romeo

and Juliet, La finta giardiniera

, and

Fidelio

.

Other recent highlights include acclaimed

productions in North America for Houston

Grand Opera (

The Marriage of Figaro

,

Rusalka

),

the Canadian Opera Company (

Maometto

Secondo

,

Hercules

), Atlanta Opera (

Orfeo

), the

Metropolitan Opera (

Rodelinda

,

La clemenza

di Tito

,

Giulio Cesare

), and guest-conducting

engagements with the New York Philharmonic,

the Los Angeles Philharmonic, the Los Angeles

Chamber Orchestra, and the major orchestras

of Boston, San Francisco, Detroit, Houston,

Seattle, St. Paul, Ottawa, and Indianapolis.

Bicket has collaborated on recital discs with

Renée Fleming, Lucy Crowe, and David

Daniels. On DVD he conducts productions

of

Rodelinda

(Met),

Rinaldo (

Munich), A

Midsummer Night’s Dream

and Martin y Soler’s

The Tree of Diana

(both from Barcelona).

AINĀRS RUBIĶIS

(

Conductor

March 16-25

)

Lyric debut

The celebrated Latvian

conductor,

whose

performances of

Carmen

include his debut at

Barcelona’s Gran Teatre

del Liceu, made his

debut this season with Theater Basel (

La

forza del destino

) and returned to Latvian

National Opera (

Eugene Onegin

) and the

Basque National Orchestra. Rubiķis came

to international attention in 2010, winning

the third annual Gustav Mahler conducting

competition in Bamberg, Germany. The

following year, he received the second Nestlé

and Salzburg Festival Young Conductors

Award, subsequently conducting the Gustav

Mahler Jugendorchester at the Salzburg

Festival. As music director and chief conductor

of the Novosibirsk State Academic Opera

and Ballet Theatre (2012-14), Rubiķis led

a varied repertoire, highlighted by

Carmen

,

Don Giovanni

, and Britten’s

War Requiem

.

He was also awarded a prestigious Golden

Mask Award as Best Conductor for a new

production of Bernstein’s

Mass

. Highlights of

recent seasons include debuts with the Bolshoi

Theatre (

Boris Godunov

)

,

the Oberammergau

Festival (

Nabucco

), Tokyo’s New National

Theatre, and major orchestras of Toronto,

Melbourne, Hong Kong, Strasbourg, Brussels,

The Hague, and Budapest. Rubiķis conducted

the world premiere of composer Kristaps

Pētersons’

Mikhail and Mikhail Play Chess

for

Latvian National Opera.

A successful choral

interpreter, he has served as artistic director

of Dziesmuvara, the University of Latvia

chamber choir.

ROB ASHFORD

(

Director and

Choreographer

)

Previously at Lyric:

Carousel

(2014-15);

The Barber of Seville

(operatic debut, 2013-14).

The

award-winning

American director earned

acclaim for his production of

Carmen

at

Houston Grand Opera, where he subsequently

returned for

Carousel

. A Tony Award winner

as choreographer for

Thoroughly Modern

Millie

, he has received Tony nominations for

Evita

,

Promises, Promises,

How to Succeed in

Business Without Really Trying

(both direction

and choreography), John Waters’s

Cry-Baby

(for which he won Drama Desk, Outer Critics

Circle, and Fred Astaire awards),

Shrek

,

Curtains

, and

The Wedding Singer.

Among his

other Broadway credits is a much-acclaimed

revival of

Cat on a Hot Tin Roof.

Ashford

directed

The Winter’s Tale,

starring Kenneth

Branagh and Judi Dench, and

Harlequinade,

Romeo and Juliet,

and

The Entertainer

all for

London’s Kenneth Branagh Theatre Company;

Macbeth

at New York’s Park Avenue Armory

and at the Manchester International Festival;

and the Olivier Award-winning productions

of

Anna Christie, A Streetcar Named Desire,

and

Parade,

all for London’s Donmar Warehouse.

Peter Pan Live!

and

The Sound of Music Live!

for NBC both earned him DGA Award

nominations. Ashford has choreographed

opening numbers for numerous Tony and

Academy Awards shows (the latter earned him

the 2009 Emmy for Best Choreography). A

former associate director at London’s Old Vic

Theatre and Donmar Warehouse, he is also a

trustee of New York’s Joyce Theatre.

(See “A

Talk with the Director,” p. 34.)

DAVID ROCKWELL

(

Set Designer

)

Lyric debut

The work of the celebrated

American architect and

designer has been repre-

sented on Broadway this

season by the critically

acclaimed new production

of

Falsettos

. In 2016, Rockwell won the Tony,

Drama Desk, and Outer Critics Circle awards

for

She Loves Me

. His work on Broadway

includes set designs for

On the Twentieth

Century

,

You Can’t Take It With You

,

Kinky

Boots

,

Lucky Guy

(all Tony-nominated),

Hairspray

(Tony, Drama Desk, and Outer

Critics Circle nominations), and

The Rocky

Horror Show

(Drama Desk nomination).

Broadway credits also include sets for

Side

Show

,

The Normal Heart

,

Catch Me If You

Can

, and

Dirty Rotten Scoundrels

. He is the

founder and president of Rockwell Group,

an architecture and design studio. Rockwell’s

honors include the AIA New York Chapter

President’s Award, Cooper Hewitt National

Design Award for outstanding achievement in

interior design, the Pratt Legends Award, and

the Presidential Design Award. Known for

his commitment to charitable organizations,

Rockwell currently serves on the boards of

the Design Industries Foundation Fighting

AIDS (DIFFA), the Cooper Hewitt National

Design Museum, Citymeals-on-Wheels, and

New York Restoration Project.

DONALD HOLDER

(

Lighting Designer

)

Lyric debut

The acclaimed work of the

American lighting designer

can be seen this season

at the Metropolitan Opera

(

The Magic Flute

) and on

Broadway (

The Cherry

Orchard, Fiddler On The Roof, Anastasia

).

Holder’s work in opera includes lighting

world-premiere productions of Nico Muhly’s

Two Boys

(Met), Jake Heggie’s

Moby Dick

(Dallas Opera), Elliot Goldenthal’s

Grendel