Previous Page  35 / 74 Next Page
Information
Show Menu
Previous Page 35 / 74 Next Page
Page Background

L Y R I C O P E R A O F C H I C A G O

February 17 - March 16, 2018

|

35

Così fan tutte

After the Curtain Falls

When the performance is over, try discussing it with your companions

and any other opera lovers you know! You can continue your pleasure in

Così fan tutte

for hours – even days – by exchanging ideas about it.

Here are some topics we can suggest:

• What did you find most intriguing about this opera and Lyric’s

production?

• The notion that women are fickle is what propels the story. Is this

true, in your opinion? Why or why not?

• Why do you think Despina chooses to help Don Alfonso and the

men in tricking the sisters? Is this a betrayal of women?

• In Act One, the women remain true to their men. Why does this

make the men work harder instead of accepting that their fiancées

love them?

• This opera is full of misunderstandings and confusion that cause

chaos, on occasion amusingly so. What moments did you find the

most entertaining and funny? Why?

• In the end, everyone accepts that romantic relationships

encompass good and bad times, and that there are lessons to be

learned from them. What are the most valuable lessons in love

that you’ve learned?

• This opera is carefully balanced between arias, duets, trios, and full

ensembles. Speaking just about the music, what moments thrilled

you the most?

To continue enjoying

Così fan tutte

, Lyric dramaturg Roger Pines suggests the following performances:

CD – Renée Fleming, Anne Sofie von Otter, Adelina Scarabelli,

Frank Lopardo, Olaf Bär, Michele Pertusi; London Voices, Chamber

Orchestra of Europe, cond. Sir Georg Solti (Decca)

CD – Elisabeth Schwarzkopf, Christa Ludwig, Hanny Steffek, Alfredo

Kraus, Giuseppe Taddei, Walter Berry; Philharmonia Chorus and

Orchestra, cond. Karl Böhm (EMI Great Recordings of the Century)

CD – Véronique Gens, Bernarda Fink, Graciela Oddone, Werner

Güra, Marcel Boone, Pietro Spagnoli; Cologne Chamber Choir,

Concerto Köln, cond. René Jacobs (Harmonia Mundi)

CD – Lella Cuberli, Cecilia Bartoli, Joan Rodgers, Kurt Streit,

Ferruccio Furlanetto, John Tomlinson; RIAS Chamber Chorus, Berlin

Philharmonic, cond. Daniel Barenboim (Warner Classics)

DVD – Miah Persson, Anke Vondung, Ainhoa Garamendia, Topi

Lehtipuu, Luca Pisaroni, Nicolas Rivenq; Glyndebourne Chorus,

Orchestra of the Age of Enlightenment, cond. Iván Fischer, dir.

Nicholas Hytner (Opus Arte)

DVD – Amanda Roocroft, Rosa Mannion, Eirian James, Rainer Trost,

Rodney Gilfry, Claudio Nicolai; Monteverdi Chorus, English Baroque

Soloists, cond. Sir John Eliot Gardiner, dir. Peter Mumford (DG)

DVD – Sally Matthews, Maite Beaumont, Danielle de Niese, Norman

Shankle, Luca Pisaroni, Garry Magee; Chorus of Dutch National

Opera, Netherlands Chamber Orchestra, cond. Ingo Metzmacher, dir.

Jossi Wieler and Sergio Morabito

DVD – Daniela Dessì, Delores Ziegler, Adelina Scarabelli, Josef

Kundlak, Alessandro Corbelli, Claudio Desderi; Chorus and Orchestra

of La Scala, cond. Riccardo Muti, dir. Michael Hampe (Opus Arte)

DAN REST

Observed by their maid, Despina

(Gianna Rolandi, standing),

Dorabella (Delores Ziegler, seated

right) persuades her worried sister

Fiordiligi (Carol Vaness, seated

center) that she should yield to

temptation:

Così fan tutte

at

Lyric, 1993/94 season.